How Do You Do All That?

I remember once, back in the mid ’90s when I was just getting started online, someone accused me of lying. He said that no one person could do all of the things I had done and still have time to play computer games for a couple hours a day. I understand how unlikely it seems, but I was not a liar. In fact, it never seemed to me like I was getting much done. The truth was that I had been working on my work efficiency for about ten years by that time.

Today I want to share something that became my first step forward in my efforts to achieve this efficiency. Most major changes must happen in your mind first. I knew this and I refused to let people tell me that what I wanted to do could not be done. And one of the ways I reprogrammed my mind was with the following chart:

Total Trumpet Player

The Total Trumpet Player

I used to refer to this as my “Total Trumpet Player” chart. Many people told me that I could not be great at all four of the things listed on the chart above: Classical Performance, Jazz Performance, Composition and Teaching. But I knew that to be great at all four of them, I would need to stop seeing them in my mind as separate fields of study.

So I made the “Total Trumpet Player” chart, using a black marker on regular construction paper. In it, I outline how each of those four areas benefits the others. Then I put this chart on my wall so I could look at it every day. It was like a form of self inflicted brainwashing, a brainwashing that I continue to inflict upon myself thirty years later, using the same chart we scanned to post it here.

And it was successful! Not only did I manage to change the way I think, I also had great success in actually living it out. As I said, most people cannot believe I have done so much with my career. But it’s because they still see all of those things as different and contrary fields of study.

Change Your Mind

If you have something you wish to accomplish that seems impossible to you, then do something to change the way you see it. For many things that seem impossible to us in life, they are only impossible because we think they are impossible. When you change your thinking, you change your life.


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Jazz Forever CD at Tiger Music

I know that a lot of my readers have been following the progress we are making with Jazz Forever. We would like to announce that Jazz Forever Volume One, our debut CD, is now available at our music store, Tiger Music.

Photo by Jeff Grass at

Photo by Jeff Grass at

If you purchase a copy of this CD, or anything else from our store, by the end of the month, you can get a 25% discount if you use the code “Houston25” at checkout. Thank you for your continued support!

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Trumpet Switchbacks – 108 Lip Slurs

Do you practice lip slurs? Tired of the same old, same old? We just released my newest book, Trumpet Switchbacks, at with 108 lip slurs for trumpet students of every skill level. Trumpet Switchbacks by Eddie Lewis

108 Comprehensive Melodic Lip Slurs

Not only have we just released this new book, but the timing is perfect because we are currently running a special discount of 25% off if you use the code Houston25 at checkout. For just over two dollars you can add a bit of variety to your trumpet life!

These lip slurs are completely unique, never published before by me or anyone else for that matter. They are based on my original lip slur design, but modified for comfort. I believe most trumpet players will enjoy working them into their routines.

To purchase the new lip slur book, click on any of the links on this page and use coupon code “Houston25” at checkout to receive the 25% discount.

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Quarter Century Anniversary

Twenty-five years ago this month I made the trek from El Paso to Houston. It have now been living in Houston for over half of my life. In some ways it has been the best half of my life, in others the worst. But for the rest of August we will be celebrating this anniversary by offering 25% off of everything at our music store at Use coupon code Houston25 at checkout.

25 Years of Music in Houston

My First Day in Houston

I moved to Houston in the late 80’s with hopes of eventually becoming an orchestral trumpet player. My first trip into town was with my brother, Gerald. I didn’t have a vehicle at the time and he volunteered to bring me to Houston to meet Jim Austin, get registered and start looking for a place to live.

What I remember most about that first day is getting this crazy idea to sleep at the beach in Galveston that night. My family was used to sleeping in the car. We grew up that way so it was no biggie. But since we were so closed to the beach, we decided to drive a little further and sleep on the beach.

We got there, spent a little time walking around, then went back to my brother’s truck to sleep. Of course, it was hot. Being from El Paso, we were used to hot, but not like this. It was sauna hot. But hey, no problem, right? We’ll just roll down the windows.

Not a good idea. Within minutes were were covered with mosquito bites. After about two hours of trying to tough it out, we started the truck back up and went back to the city to find a place to sleep.

Coincidentally, the place we ended up parking was in the neighborhood Gerald now lives in. We parked out front of a public pool with the idea that we could swim when the pool opened in the morning.

Ha! Looking back at it now, I don’t think we ever even considered the possibility of getting a hotel. That just wasn’t done.

Bath Water Swimming

I took care of business and Gerald took me back to El Paso. I would be returning in a week with my stuff.

For the first few weeks, I lived in a hotel with a weekly rental. I got a job right away delivering pizzas for Dominos (no one can tell me I didn’t pay my dues!). And I remember one night getting back to the hotel and thinking that I really needed a swim. When I jumped into the hotel pool, I couldn’t believe how hot the water was. It was hotter than my typical bath water!

And to be completely honest with you, if it weren’t for the music scene here in Houston, I don’t think I would have stayed for quarter of a century. Between the miserable seven month summers and the traffic, there was not much to entice me to stay.

The Music

That said, the musicians in Houston are, for the most part, wonderful, kind and loving people. I was accepted as a friend almost immediately. I think I became established as a jazz musician far sooner than a classical player, and that tipped the balance enough that today I am certain most Houstonians do not think of me as a classical player. Which is fine. It used to bother me a lot, but I have learned to be less covetous and see things from more of an outside the box perspective.

But yeah, I had a lot of struggles musically because of the way I divided my career across that stylistic line. If it weren’t for Darryl Bayer, I probably never would have been recognized as a classical player in Houston.

Texas Brass

Thanks to Darryl, I did have a wonderful opportunity to work with the Texas Brass Ensemble and at the peak of those times, had the honor of recording a CD with Darryl, Thomas Hulten, Ben Jaber and Dave Kirk. That was certainly one of the highlights of these past 25 years. And the icing on the cake was that about half of the songs on our Sound of the South CD are my original compositions.

Jazz Growth and Maturity

On the jazz side of my career, I had a lot of growing to do. My first jazz recording in town was with Phil Blackmon. Phil took me under his wing for a while and I got to play with his band for about a year I think. From those humble beginnings, I worked with a variety of different bands. One of the most significant was the Tom Borling Be Bop Band. On the jazz side of my career, the Tom Borling Be Bop Band CD was much like the Texas Brass recording. I wrote all but one of the compositions on that CD and it was my work with Tom’s band that sort of “put me on the map” as a jazz player here.

I said earlier that I was accepted as a friend very soon after I arrived here. But I was not as well excepted as a player until that recording with Tom Borling.

It was Tom’s band that introduced me to David Caceres, which was another very big step for me in my career. David later hired me to play in his wedding band and I have been working with him ever since….learning so much along the way.

Latin Music

It’s kind of funny, because I consider myself a classical and jazz trumpet player. But throughout the 90’s, the majority of my income came from playing salsa gigs. I got into that scene at first by joining a Mexican band called Promessa Band. We worked a lot but the band eventually folded. Then from there I started doing more work with the salsa bands.

I played salsa so much that I got to where I could read the music correctly, even if it was written wrong. I knew the style so well that I could sort of fill in the gaps on the part when I knew it wasn’t right.

There was once a salsa band leader who didn’t like me at all. But he hired me for a few gigs. One time he insulted me and complimented me at the same time. He said, “well, at least when you get lost, you stay ‘en clave’.” That was a wonderful compliment that I think summarizes my experience as a salsa trumpet player.


I have also done a lot of teaching in the past 25 years. I have taught literally hundreds of private students. I stopped counting after 500. I have always had a passion for teaching and in fact, the main reason I ever perform is to give credibility to my teaching.

It’s kind of funny. A friend of me heard me saying how much I love to teach and he said, “That’s a lie. You hate teaching, Eddie.” I was shocked to hear him say that. But then I thought about it. We worked together as private teachers at the same schools for most of the 90’s. The pay was so bad that I was forced to teach seventy students or more per week. What I didn’t like (I don’t use the word “hate”) was the degrading pay and the lack of respect the schools have for their private teachers.

Yes, I did quit teaching in 1997. I was burned out. But it was not because I hated teaching. I was burned out because I was putting in full time hours for part time kiddie pay.

Genuine Poverty

Here’s the thing that most people do not know about me. Of the 25 years that I’ve been living in Houston, for 18 of those years I lived “beneath the poverty line.” Teaching $7 lessons and playing $150 salsa gigs (with three rehearsals) was pushing me to work 16 to 18 hour days. I was working long hard days trying to scrape out a living and I thought it wasn’t paying off.

And yes, there was a time when I was actually bitter about that. What I didn’t know back then was that the reason I was working for such low pay was because I was working for low pay! So there you have it. It was all my fault. No one held a gun to my head and said I had to teach $7 lessons.

It wasn’t until I understood what was happening and changed my mindset that I began to earn enough income to pull myself up from beneath that infamous poverty line. But love is a wonderful motivator.

Pearl and Her Influence

I won’t go into the details, but it was Pearl coming into my life that motivated me to see things differently. I began to see how working for peanuts was actually hurting my performances, my teaching and my writing. It was also creating a business environment that was making it more difficult for others to make more money. Doing real work for hobo pay is not a loving way to live. It is actually a very selfish and hateful way to live. The whole starving artist facade is an evil lie that musicians tend to perpetuate because of their “love for music.” But if they had so much love in them, then they would take a step back and look at how their attitudes are hurting so many people.

And that’s what Pearl helped me to see. She took this “dues payin’ musical maniac” and helped transform me into a man, a real man, who is better equipped to support a family. And really, what changed? Just my attitude. That’s all.

You know, there is a wonderful trumpet teacher in Houston who recently announced that he is no longer teaching lessons. After years of struggling the same way I did, he has come to the conclusion that it is no longer worth it. He has a excellent reputation as a teacher with students who are really going places. But as good as he is, he just cannot make ends meet. This is just wrong! It shouldn’t be this way.

And the only reason I’m mentioning it here is because I want people to know how much “cheap lessons” hurt people. It hurts the teachers, the students, the band programs and so on.

Anyway, enough of that. I don’t want anyone to think that I am bitter about this. I just feel it’s important that people know that the money side of being a musician is not nice.

Publishing Success

Another important part of my work over the past 25 years has been on the publishing side of my career. I have written almost twenty trumpet books now and there are dozens more just waiting to be finished. All twenty of those books were written and published here in Houston.

  1. The Physical Trumpet Pyramid
  2. Daily Routines
  3. Go With the Flow
  4. Creative Inflection
  5. The Jazz Style of Gerald Hunter
  6. The Jazz-O-Witz Scrolls
  7. The Eddie Lewis Jazz Sampler
  8. 20 Studies
  9. Celebrations: 101 Original Trumpet Duets
  10. All-State Prep for Trumpet
  11. Twelve Tunes for Linear Diatonic Improvisation
  12. Total Tonalization: Trumpet Player Level
  13. Groups 8 & 9
  14. Trane for Trumpet
  15. 21 Brass Quintets
  16. Chops Express
  17. Switchback: Comprehensive Melodic Lip Slurs for Trumpet
  18. Trumpet Apprentice Tonalization Studies
  19. The Beginners Jazz Motif Dictionary
  20. Trumpet Pro Pentatonic Tonalization Studies

Also on the publishing front, Houston is where I composed literally hundreds of original compositions for jazz and brass ensembles. As a composer I have progressed through three different style periods in the past 25 years ranging from free jazz/avant-garde style compositions, to post-romantic work, to something of a synthetic blend of all the styles I’ve had the privileged of performing during the course of my career.

The people who know of me from outside of Houston know me for my published work. My compositions have been performed by musicians all over the world, and even though my work is rarely performed here in Houston (a prophet in my home town?), Houston is where it all comes from.

25 Years In a Nutshell

So there you have it. A brief summary of my 25 year career as a musician in Houston, Texas. It’s not exactly a rags to riches story…not yet anyway. But the trend is most certainly leaning in that direction. Every year is better than the previous years.

The mosquitoes are still biting, the pools are still hotter than bath water and the traffic still plods along. But I have had the honor and privileged of making so much beautiful music with so many wonderful people. Since I am approaching my fiftieth birthday, I have now been living in Houston for over half of my life time.

Is this something worth celebrating?

Sure it is. And the way I want to celebrate it today is to offer everyone 25% off of everything we sell at Remember to use the code Houston25 when you check out.


If you have memories you’d like to share from the past twenty-five years, please feel free to leave them here. This anniversary is more about YOU than it is about me. I wouldn’t have stayed in Houston so long if it weren’t for the people and the music we’ve made together. So thank you, all of you, for putting up with me all these years. 🙂

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Catching Up On Comments


I just spent some time this morning getting caught up on responding to comments left on this blog. I do apologize for taking so long. I am not a professional blogger. This is something I just do on the side, so there are “seasons” during my career when I cannot devote as much time to blogging.

But please know this…that I do respond. Please do not let the fluctuation of my blogging time discourage you from posting comments. I read and eventually respond to all comments.

I believe in living according to priorities. I cannot justify blogging about being a musician, a music teacher or composer if I make blogging a higher priority than my actual career. I hope that makes sense.

That said, I want to thank all of you who read this blog. And thanks even more to those who take the time to comment. It means a lot to me. If it weren’t for you, I would have no reason to spend the time it takes to do this work. So thank you!

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South African Birds: African Sacred Ibis and African Spoonbill

Here are some pictures from our road trip into the country with some of our family (Ma, Glenda, and Samuel). The first few pictures show a flock of african sacred ibis. Then there are some pictures of an african spoonbill. All of these were taken on Thornvlei Road, just north of East London.

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South African Birds: Hoopoes

We saw two different kinds of hoopoes on this trip, the african hoopoe and the green-wood hoopoe. This was the bird I wanted to get shots of so much on previous trips but could never find any that would sit still long enough for pictures. So this trip made up for it in a big way. Enjoy!

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